Niente ma proprio niente a che vedere con Pinocchio. Sette anni dopo aver lavorato come art director per il film di Enzo D'Alò presentato alla Mostra del cinema di Venezia (e 12 anni dopo il bel corto dell'horror animato collettivo Fear(s) of the dark presentato alla Festa del cinema di Roma), l'illustratore Lorenzo Mattotti gira un film tutto suo tratto da La Famosa Invasione Degli Orsi in Sicilia di Dino Buzzati (presentato ora al Festival di Cannes). L'impressione è di essere davanti ad un'operazione filologica di recupero di un immaginario tradizionale oggi fuori dal tempo con uno stile visivo che fonde Buzzati e Mattotti e che rilancia le forme tonde caratteristiche dell'illustratore in un mondo in gli vengono affiancati anche spigoli stilizzati, quasi una vivace e creativa presa in giro dei poligoni della computer grafica, e in cui lo sfondo è sempre più grande e importante dei personaggi. Mattotti cita ampiamente le idee originali di Buzzati, non solo incorporandone i disegni nella forma di quadri nel palazzo del re, ma proprio partendo da quegli spazi e da quella passione per la metafisica in stile De Chirico, fatta di grandi strutture che proiettano ombre solide e totali in cui le figure viventi sono scarse se non assenti.
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Extraterrestrials invade Earth and a pair of middle schoolers hold the fate of the world in their hands in Aliens Ate My Homework, a delightfully comical intergalactic adventure from Universal 1440 and Lay-Carnagey Entertainment. Aliens Ate My Homework is based on the first book in the wildly successful Rod Allbright and the Galactic Patrol series. Written by internationally renowned author Bruce Coville, the four-part saga has sold over 17 million books worldwide and has been translated into 16 languages. When a tiny intergalactic starship crashes into the bedroom of 12-year-old Rod Allbright (Jayden Greig), it's the start of the adventure of a lifetime for him and his cousin Elspeth (Lauren McNamara). Enlisted by the extraterrestrial Galactic Patrol, a group of out-of-this-world lawmen, Rod and Elspeth must race to save the world from Total Planetary Disaster. The film features the voice of William Shatner ("Star Trek") as the intrepid intergalactic explorer known as Phil the Plant.
The acting is convincing throughout, from the gang members through the soldiers and leaders of the Mexican army, to a pursuing posse, and through the many Mexican women. The movie features a train robbery and a blowing-up of a bridge. These are staples of Westerns but they are handled in this movie with unusual tension and depth. The film includes a wonderfully apt musical score. But it is primarily known for its cinematography and for the many innovations it introduced in pacing and scoping. The film is brutally violent particularly in its opening and closing gunfights, that continues to make many viewers uncomfortable. The level of violence may have been meant as a commentary on the Vietnam War which was raging at the time. I found it fit within the theme of the film and enhanced the view of the West and the story the film had to tell. This film portrayed a way of life that vanished, for well or ill. With all the brutality and violence of the outlaws, they tried to live honorably among themselves and to have a life of adventure and toughness rather than routine.
Released during the early stages of the current 3D revolution, the picture was a novelty, capturing box office attention with its commitment to in-your-face Jules Verne-inspired spectacle, buttered up by the rubbery antics of star Brendan Fraser. Four years later, Fraser is gone and it now appears a great deal of audiences resent 3D releases, making the conception and timing of �Journey 2: The Mysterious Island� precarious at best. While burdened with a.. more...
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